Cite
MLA Citation
David Pearson. “Bell Patterns, Polyrhythms, Propulsive Subdivisions, and Semitones: The Musical Poetics of Late‐1990s Cash Money Records Style.” Journal of popular music studies, vol. 28, no. 3, 2016, pp. 356–380. http://access.bl.uk/ark:/81055/vdc_100036427663.0x000002