Cite
HARVARD Citation
Pearson, D. (2016). Bell Patterns, Polyrhythms, Propulsive Subdivisions, and Semitones: The Musical Poetics of Late‐1990s Cash Money Records Style. Journal of popular music studies. 28 (3), pp. 356-380. [Online].
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Pearson, D. (2016). Bell Patterns, Polyrhythms, Propulsive Subdivisions, and Semitones: The Musical Poetics of Late‐1990s Cash Money Records Style. Journal of popular music studies. 28 (3), pp. 356-380. [Online].