Applied Drama : a Facilitator's Handbook for Working in Community.: a Facilitator's Handbook for Working in Community. (2013)
- Record Type:
- Book
- Title:
- Applied Drama : a Facilitator's Handbook for Working in Community.: a Facilitator's Handbook for Working in Community. (2013)
- Main Title:
- Applied Drama : a Facilitator's Handbook for Working in Community.
- Other Names:
- Prendergast, Monica
- Contents:
- Acknowledgements; Preface; How is applied drama different from applied theatre?; How to read this book?; Chapter One: Introduction to the Field; 1.1 What is applied drama?; 1.2 Who does applied drama and what are the benefits?; 1.3 How is applied drama done?; 1.4 What is the nature of applied drama?; 1.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Two: Foundations of the Field; 2.1 What is the nature of dramatic process?; 2.2 How does the key component of role function in applied drama? 2.3 How does the key component of improvisation function in applied drama?2.4 What are the challenges of applied drama?; 2.5 Questions for Reflection, Suggested Activity and Further Reading; Section One: Entering the Process; Chapter Three: Building a Community; 3.1 Learning about participants; 3.2 Entering a community/drama contract; 3.3 Creating a safe space; 3.4 Drama structure: Investigating the Circle; 3.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Four: Risking, Trusting and Being; 4.1 Building trust/creating community. 4.2 Encouraging risk-taking/accepting failure4.3 Creating composite characters; 4.4 Drama structure: Being 14; 4.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Five: Role Playing; 5.1 Using role play; 5.2 Levels and dynamics of role; 5.3 About Sitting-Down Drama; 5.4 Drama structure: Sitting-Down Drama; 5.5 Questions for Reflection, Suggested Activity and Further Reading; ChapterAcknowledgements; Preface; How is applied drama different from applied theatre?; How to read this book?; Chapter One: Introduction to the Field; 1.1 What is applied drama?; 1.2 Who does applied drama and what are the benefits?; 1.3 How is applied drama done?; 1.4 What is the nature of applied drama?; 1.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Two: Foundations of the Field; 2.1 What is the nature of dramatic process?; 2.2 How does the key component of role function in applied drama? 2.3 How does the key component of improvisation function in applied drama?2.4 What are the challenges of applied drama?; 2.5 Questions for Reflection, Suggested Activity and Further Reading; Section One: Entering the Process; Chapter Three: Building a Community; 3.1 Learning about participants; 3.2 Entering a community/drama contract; 3.3 Creating a safe space; 3.4 Drama structure: Investigating the Circle; 3.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Four: Risking, Trusting and Being; 4.1 Building trust/creating community. 4.2 Encouraging risk-taking/accepting failure4.3 Creating composite characters; 4.4 Drama structure: Being 14; 4.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Five: Role Playing; 5.1 Using role play; 5.2 Levels and dynamics of role; 5.3 About Sitting-Down Drama; 5.4 Drama structure: Sitting-Down Drama; 5.5 Questions for Reflection, Suggested Activity and Further Reading; Chapter Six: Embodying Thought and Feeling; 6.1 Communicating with our bodies; 6.2 Balancing the mind-body relationship; 6.3 Exploring movement through music. 6.4 Drama structure: Interpreting Music as Dramatic Text6.5 Questions for Reflection, Further Reading and Suggested Music; Section Two: Exploring Together; Chapter Seven: Talking and Listening; 7.1 Fostering communication; 7.2 Drawing on personal histories; 7.3 Distancing through narrative voice; 7.4 Drama structure: Life Lessons; 7.5 Questions for Reflection and Further Reading; Chapter Eight: Topics, Themes, Talk and Action; 8.1 Generating ideas and material; 8.2 What is a theme?; 8.3 Tableaux and Image Theatre; 8.4 Drama structure: Exploring a Theme. 8.5 Questions for Reflection and Further ReadingChapter Nine: Improvisation; 9.1 Learning to improvise; 9.2 Vocabulary of improvisation; 9.3 Ways to improvise; 9.4 Drama structure: Improvising from a Source; 9.5 Questions for Reflection, Suggested Activity and Further Reading; Section Three: Focusing the Work; Chapter Ten: Moving into Devising; 10.1 Deciding to share the work; 10.2 Conducting research and the RSVP Cycle; 10.3 Sharing research through drama; 10.4 Drama strategies: Working with Research in Dramatic Ways; 10.5 Questions for Reflection, Suggested Activity and Further Reading. … (more)
- Publisher Details:
- Place of publication not identified : Intellect Books
- Publication Date:
- 2013
- Extent:
- 1 online resource
- Subjects:
- 792.071
Theater -- Study and teaching
Community education
Theater and society
Community education
Theater and society
Theater -- Study and teaching
Electronic books - Languages:
- English
- ISBNs:
- 1299652875
9781299652873
9781783201570
1783201576 - Related ISBNs:
- 9781841507408
1841507407 - Notes:
- Note: Includes bibliographical references (pages 223-234) and index.
Note: Print version record. - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.56600
- Ingest File:
- 01_033.xml