Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy. (19th April 2021)

• Record Type: Journal Article
• Authors: Jorge‐Villar, Susana E.; Edwards, Howell G. M.
• Other Names: Kiefer Wolfgang guestEditor.; Colomban Philippe guestEditor.; Edwards Howell G. M. guestEditor.
• Is Part Of: Journal of Raman spectroscopy. Volume 52:Number 12(2021)
• Page Start: 2190
• Page End: 2203
• Publication Date: 2021-04-19
• Subjects: blue pigments -- green pigments -- Raman spectroscopy -- Roman wall paintings; Raman spectroscopy -- Periodicals; 535.846
• DOI: 10.1002/jrs.6118
• Languages: English
• ISSNs: 0377-0486

Abstract

Abstract: In Roman wall paintings, blue and green colours are less commonly encountered than red and yellow and were more expensive. Despite this, Pliny and Vitruvius describe the more common compounds used for these pigments, translated today as azurite, lazurite, chrysocolla, indigo and Egyptian blue for blues and verdigris, malachite, celadonite, glauconite and chlorite for greens. A confusion in their nomenclature is often found in the most common blue pigment that is the first manufactured compound, Egyptian blue. For greens, celadonite and glauconite were usual and called generically 'green earths', but they prove to be difficult to characterize analytically. In this paper, we evaluate the Raman spectroscopic identification of the characteristic Roman blue and green pigments as used in wall paintings using two different laser wavelengths (green and near infrared) and clarify their nomenclature. Abstract : Green and blue pigments were scarce and valuable in the Roman wall paintings. Raman spectroscopy is a useful technique for identifying blue and green compounds even in admixture with other minerals. We used two lasers, 780 and 532 nm, which improve the identification probabilities. We discuss the differences between the spectra collected with each laser for each compound and also the right characterization among the greens and blues.