Producing Historicity: Foucault, Joyce and European Art Cinema, 1955–1980. Issue 10 (3rd October 2021)

• Record Type: Journal Article
• Authors: Gibson, Andrew
• Is Part Of: Textual practice. Volume 35:Issue 10(2021)
• Page Start: 1565
• Page End: 1585
• Publication Date: 2021-10-03
• Subjects: historicity -- presentism -- the body -- managerialism -- neoliberal culture -- Joyce -- Foucault -- Godard -- [Jean-Pierre] Melville -- Antonioni -- Fellini -- Varda -- Huillet-Straub -- materiality -- affect -- the image -- European art cinema -- nouvelle vague -- neo-realism -- the European city; Literature, Modern -- 20th century -- History and criticism -- Periodicals; Criticism -- Periodicals; Criticism, Textual -- Periodicals; Semiotics -- Periodicals; 801.95
• DOI: 10.1080/0950236X.2021.1965290
• Languages: English
• ISSNs: 0950-236X

Abstract

ABSTRACT: In recent years, it has become increasingly clear how damaging and virulent the obsessively 'presentist' orientation is that drives neoliberal and managerial 'culture'. Its proponents abjure discourses of or on historicity, lest they encounter critical perspectives on our present situation. For that very reason we should be sustaining and promoting our historicisms as tenaciously as possible. This article argues that Foucault and Joyce, in their extremely different ways, did just that, attuned as they were to the subtleties of specificity and the vagaries of contingency. But there is a certain historicity of the body and affect that philosophy and literature, by their nature, cannot fully capture or communicate. We might rather turn, then, to European Art Cinema, approximately from 1955 onwards, and a range of cinéastes, from Godard and Melville to Varda and Huillet-Straub. The discussion brings out the highly nuanced ways in which they use cities and landscapes, and temporal and spatial anomalies, to construct both a historicity of affect and an aesthetic reflection or meditation on that historicity.