'Then … Horror! Horror!': Laughter, Terror and Rebellion in the Unpublished Plays of H.I.E. Dhlomo. Issue 2 (3rd April 2022)

• Record Type: Journal Article
• Authors: Crigler, Robin K.
• Is Part Of: African studies. Volume 81:Issue 2(2022)
• Page Start: 211
• Page End: 228
• Publication Date: 2022-04-03
• Subjects: drama -- Gothic literature -- H.I.E -- Dhlomo -- satire -- horror -- South Africa; African languages -- Periodicals; Ethnology -- South Africa -- Periodicals; Indigenous peoples -- South Africa -- Periodicals; South Africa -- Languages -- Periodicals; 305.800968
• DOI: 10.1080/00020184.2022.2142763
• Languages: English
• ISSNs: 0002-0184

Abstract

ABSTRACT: The New African poet, playwright, and intellectual H.I.E. Dhlomo is often cited as one of twentieth-century South Africa's most important cultural figures. In contrast to his celebrated theoretical writings, however, Dhlomo's actual literary work tends to receive mixed reviews from scholars. This paper seeks to reassess Dhlomo's much-maligned use of Romantic and Gothic tropes by focusing on two of his lesser-known plays: Men and Women and The Expert. These plays, which date from towards the end of Dhlomo's playwriting career, have never been published, yet reveal a great deal about both the nature of his literary project and the conditions of Black cultural production in segregation-era South Africa. Indeed, I argue that these plays engage in some of the most radical social critiques found anywhere in pre-apartheid South African drama, and, furthermore that the melodramatic and incongruous elements of these works are essential to their intended impact. Having experienced segregation-era South African society as an unfolding nightmare, for H.I.E. Dhlomo laughter and horror were intimately related. Ultimately, I contend that Dhlomo's linkage of laughter to the supernatural and the Gothic marks an important moment in South African history, illustrating powerfully the dashed hopes and aspirations of the New African generation within the context of tightening white philanthropic control.