A Laugh a Second?: Music and Sound in Comedy Trailers. Issue 2 (23rd January 2015)

• Record Type: Journal Article
• Authors: Deaville, James; Malkinson, Agnes
• Is Part Of: Music, sound and the moving image. Volume 8:Issue 2(2014)
• Page Start: 121
• Page End: 140
• Publication Date: 2015-01-23
• Subjects: Sound -- Periodicals; Motion picture music -- Periodicals; Television music -- Periodicals; Computer game music -- Periodicals; Mixed media (Music) -- Periodicals; Digital art -- Music -- Periodicals; 778.5344
• DOI: 10.3828/msmi.2014.8
• Languages: English
• ISSNs: 1753-0768

Abstract

Abstract : The research project '(Re-)Framing Film: Trailers, Music and Meaning in the Digital Age', hosted by Carleton University, has undertaken the first comprehensive study of music and sound in cinematic trailers. Close analysis of the aural dimension of over 125 trailer texts has revealed that comedy trailers present a unique soundscape within the world of cinematic previews, as dictated by genre. Pre-composed music (especially popular songs), structurally deployed synch points, special aural treatment of punchlines, and multilayered elements of irony (e.g. generic ambiguity through music) conspire to create a compelling audiovisual experience for trailer consumers. The previews for Ted, Pineapple Express, and The Hangover franchise serve as case studies to illustrate the observations about genre-based uses of music and sound.