'Can mom laugh?': The production of the Japanese television family, 1960s‐80s. Issue 2 (1st September 2022)

• Record Type: Journal Article
• Authors: Humphrey, David
• Is Part Of: East Asian journal of popular culture. Volume 8:Issue 2(2022)
• Page Start: 245
• Page End: 260
• Publication Date: 2022-09-01
• Subjects: Popular culture -- East Asia -- Periodicals; 306.09505
• DOI: 10.1386/eapc_00077_1
• Languages: English
• ISSNs: 2051-7092

Abstract

In this article, I examine the history of audience laughter on Japanese television and its role in producing and sustaining the image of an intimate, family-like public during the medium's early decades. With a focus on the progressive gendering of audience laughter on Japanese television from the 1960s onwards, I demonstrate how the move to procure female laughter on the medium reflected broader ideological expectations that women and their laughter might unify a family-like, national audience. I argue that Japanese television sought to leverage female laughter ‐ both concretely through paid waraiya 'laughers' in the audience and through the gender ideology surrounding laughter ‐ to negotiate television's foundational tensions between the public and the private. More broadly, I suggest that the history of television laughter and its gendering can throw into relief television's co-imbrication with discourses on gender, nation and consumption.