The Jewish-Iraqi theatre – Ur Ensemble: Majnūn Laylā as interweaving performance cultures. Issue 3 (2nd July 2020)

• Record Type: Journal Article
• Authors: Shem-Tov, Naphtaly
• Is Part Of: Journal of modern Jewish studies. Volume 19:Issue 3(2020)
• Page Start: 382
• Page End: 404
• Publication Date: 2020-07-02
• Subjects: Jews -- Study and teaching -- Periodicals; Judaism -- Periodicals; Jews -- Periodicals; 305.8924
• DOI: 10.1080/14725886.2020.1713513
• Languages: English
• ISSNs: 1472-5886

Abstract

ABSTRACT: In 1955, Iraqi Jewish immigrant artists founded Ur Ensemble ( Lahakat Ur in Hebrew) and produced in Arabic the Majnūn Laylā (The Madman of Layla) by the Egyptian poet and playwright Aḥmad Shawqī. The Israeli Establishment subsidized and supported the Ensemble and intended the play for Palestinian spectators in Israel. It is a puzzling fact, because the policy of the Zionist melting pot required Middle Eastern Jews to move away from Arab culture and adopt a western orientation. I argue that the Israeli establishment perceived the Ur Ensemble as a propagandistic vehicle in order to display the state's favourable attitude towards the Arab minority for the international community. However, in practice, the theatrical event created an Arab-Jewish dialogue based on a shared Arab culture contrary to the establishment's political intentions.