The business model of Chinese movies: Learning from the US motion picture industry based on new product diffusion. Issue 3 (18th October 2019)

• Record Type: Journal Article
• Authors: Chen, Man; Han, Xiaomin; Zhang, Xinguo; Wang, Feng
• Is Part Of: Journal of contemporary marketing science. Volume 2:Issue 3(2019)
• Page Start: 246
• Page End: 261
• Publication Date: 2019-10-18
• Subjects: Business model -- WOM -- New product diffusion -- Chinese movie -- Motion picture industry; Marketing -- Periodicals; 381
• DOI: 10.1108/JCMARS-02-2019-0015
• Languages: English
• ISSNs: 2516-7480

Abstract

Abstract : Purpose: The motion picture industry is a cultural and creative industry. Unlike its US counterpart, the Chinese motion picture industry is still developing. Therefore, learning from the US market, the purpose of this paper is to analyze the business model of Chinese movies from the perspective of new product diffusion. Design/methodology/approach: Based on 66 movies released in the US and 21 movies released in China, this paper first compares the diffusion curves of Chinese and US movies through the movie life cycle and box office trends. Next, it analyzes the moviegoing behaviors of Chinese and US audiences based on the innovation and imitation coefficients in the Bass model. Finally, it compares the attention to information of Chinese and US audiences from the perspective of interpersonal word-of-mouth (WOM). Findings: In the USA, a movie's highest weekly box office is usually in its opening week, followed by a weekly decline in revenue; in China, there is no difference in box office performance between the first two weeks, but a weekly decline in revenue similarly follows. US audiences pay more attention to advertisements for movies than WOM recommendations, while Chinese people pay more attention to WOM recommendations. Neither the Chinese nor the US market differs in the volume of WOM between the first week before release and the opening week, and these two weeks are the most active period of WOM in both markets. Practical implications: During the production phase for Chinese movies, we should satisfy opinion leaders' needs. During the distribution phase, we should not only focus on market spending before the movie's release, but also increase market spending in the opening week. During the theater release phase, we should stimulate WOM communication between moviegoers and thereby attract many more opinion seekers. Originality/value: Few studies have investigated the Chinese motion picture industry from the perspective of new products. This paper compares and analyzes the diffusion of Chinese and US movies using the Bass model of new product diffusion, providing systematic theoretical guidelines for the commercial operation of the Chinese motion picture industry.