Elucidation of the Chemical Role of the Pyroclastic Materials on the State of Conservation of Mural Paintings from Pompeii. Issue 6 (3rd December 2020)

• Record Type: Journal Article
• Authors: Pérez‐Diez, Silvia; Fernández‐Menéndez, Luis Javier; Morillas, Héctor; Martellone, Alberta; De Nigris, Bruno; Osanna, Massimo; Bordel, Nerea; Caruso, Francesco; Madariaga, Juan Manuel; Maguregui, Maite
• Is Part Of: Angewandte Chemie international edition. Volume 60:Issue 6(2021)
• Page Start: 3028
• Page End: 3036
• Publication Date: 2020-12-03
• Subjects: halides -- ion chromatography -- portable LIBS -- pyroclastic materials -- salt crystallisation; Chemistry -- Periodicals; 540
• DOI: 10.1002/anie.202010497
• Languages: English
• ISSNs: 1433-7851

Abstract

Abstract: Pyroclastic strata have always been thought to protect the archaeological remains of the Vesuvian area (Italy), hence allowing their conservation throughout the centuries. In this work, we demonstrate that they constitute a potential threat for the conservation state of the mural paintings of Pompeii. The ions that could be leached from them and the ion‐rich groundwater coming from the volcanic soil/rocks may contribute to salt crystallisation. Thermodynamic modelling not only allowed to predict which salts can precipitate from such leaching events but also assisted the identification of additional sources of sulfates and alkali metals to explain the formation of the sulfates identified in efflorescences from the mural paintings of Pompeii. For the future, fluorine, mainly related to a volcanic origin, can be proposed as a marker to monitor the extent of the impact in the mural paintings of Pompeii in situ. Abstract : Pyroclastic materials buried and protected ancient Pompeii throughout the centuries. In this work, we demonstrate that they could represent a threat for the conservation state of the mural paintings, since rainwater and groundwater cause the leaching and transfer of ions to the mural paintings, promoting salt crystallisation. At Pompeii, the latter is one of the main causes of the detachment of the pictorial layers.