A Post-Anthropocentric Explication of the Posthuman World-Building in Adrian Tchaikovsky's the Doors of Eden. Issue 1 (1st January 2022)

• Record Type: Journal Article
• Authors: Patra, Indrajit
• Is Part Of: Critique. Volume 63:Issue 1(2022)
• Page Start: 108
• Page End: 122
• Publication Date: 2022-01-01
• Subjects: Fiction -- 20th century -- History and criticism -- Periodicals; Letterkunde; Engels; Electronic journals; 809.304
• DOI: 10.1080/00111619.2020.1830022
• Languages: English
• ISSNs: 0011-1619

Abstract

ABSTRACT: The present study seeks to analyze Adrian Tchaikovsky's novel The Doors of Eden (2020) to describe how posthumanism and post-anthropocentrism can go hand-in-hand in contemporary speculative fiction. The novel itself is a masterpiece in world-building where the action takes place against the background of an eternally proliferating multiversal reality. Parallel worlds, sentient monsters, posthuman, non-human entities abound in the novel, and this will be seen as complementary and conducive to the posthuman universe-building in the narrative. Through the analysis of the novel The Doors of Eden, I have attempted to show how posthumanism can effectively dismantle and destroy a human-centered worldview by incorporating tropes of monstrosity, alienness, immersive virtual reality, mind-uploading, and integration of mind and machine – all of which eventually come together to define and reinforce the post-anthropomorphic paradigm. For the purpose of the explication, the author has adopted various theoretical insights from the renowned contemporary theoreticians among which Rosi Braidotti's criticalposthumanism, Barad's intra-action and agential realism, and Bruno Latour's Actor-Network Theory (ANT) and, Lenton & Latour's Gaia 2.0 hypothesis will be important.