Memes, brands and the politics of post-terror togetherness: following the Manchester bee after the 2017 Manchester Arena bombing. Issue 16 (10th December 2021)

• Record Type: Journal Article
• Authors: Merrill, Samuel; Lindgren, Simon
• Is Part Of: Information, communication & society. Volume 24:Issue 16(2021)
• Page Start: 2403
• Page End: 2421
• Publication Date: 2021-12-10
• Subjects: Memeification -- branding -- terrorism -- cosmopolitanism -- Instagram -- Manchester; Information technology -- Social aspects -- Periodicals; Information technology -- Economic aspects -- Periodicals; Information technology -- Political aspects -- Periodicals; Internet -- Periodicals; World Wide Web -- Periodicals; 303.4833
• DOI: 10.1080/1369118X.2021.1942957
• Languages: English
• ISSNs: 1369-118X

Abstract

ABSTRACT: The 22 May 2017 bombing of the Manchester Arena, which killed 22 and injured over 800 more, triggered a massive public response leading to, among other things, improvised memorials, spontaneous vigils, dedicated hashtags, and viral videos. Within this response, the memetic reinvigoration and, subsequently, brand adoption of one of Manchester's oldest civic symbols – the worker bee – was clearly discernible. In this article, we explore how the spread of the bee after the bombing contributed to a politics of post-terror togetherness. Conceptualising memes as 'more or less digital', we 'follow' the bee across bodies, streets and social media platforms via the analysis of approximately 53, 000 Instagram images. We show how the initial memeification of the bee carried with it grassroots expressions of togetherness while the subsequent use of the bee in official city branding strategies created and obfuscated various political tensions.