Establishing authenticity and commodifying difference: a social semiotic analysis of Sámi jeans. (May 2022)

• Record Type: Journal Article
• Authors: Archer, Arlene; Westberg, Gustav
• Is Part Of: Visual communication. Volume 21:Number 2(2022)
• Page Start: 195
• Page End: 217
• Publication Date: 2022-05
• Subjects: affordance -- authenticity -- designer jeans -- discourse -- global/local -- materiality -- provenance -- Sámi -- Sápmi; Visual communication -- Periodicals; Popular culture -- Periodicals; Art and society -- Periodicals; 302.222
• DOI: 10.1177/1470357219896819
• Languages: English
• ISSNs: 1470-3572

Abstract

This article investigates a semiotic phenomenon within the global fashion industry: the branding of designer jeans as 'authentic' and 'genuinely local', focusing on the Swedish brand Sarva. Drawing on a social semiotics approach, the authors see authenticity as a discursive construct and look at the ways in which Sarva authenticate their jeans as Sámi in multimodal texts. The aim is: (1) to reveal how places and narratives are commodified in texts that accompany the jeans; and (2) to explore how authenticity is materially instantiated in the jeans by using different resources. The article focuses on the connotative provenance and affordances of different semiotic materials for the rendering of authenticity. The analysis of the jeans as semiotic entities reveals how the thickness of the garment, texture and leather details, and the choice of materials, languages as well as iconography, evoke ideas about historical and local 'Sáminess', whilst at the same time indexing a global ideology that regiments what quality jeans are. The analysis shows how authenticity can be reinvented and relocated in ways that allow a commodity to travel between the local and the global. It also shows how this movement is not neutral or straightforward, but rooted in power relations that underlie globalization and advanced capitalism.