Debating Access to Internationally Acclaimed Rock Art Sites: Has the 'Future Generation' Been Born?. (2nd November 2019)

• Record Type: Journal Article
• Authors: Ndlovu, Ndukuyakhe
• Is Part Of: Conservation and management of archaeological sites. Volume 21:Number 5/6(2019)
• Page Start: 293
• Page End: 309
• Publication Date: 2019-11-02
• Subjects: Rock art -- authenticity -- integrity -- lascaux -- uKhahlamba Drakensberg -- Chauvet -- Altamira; Excavations (Archaeology) -- Collection and protection -- Periodicals; Cultural property -- Protection -- Periodicals; Historic buildings -- Conservation and restoration -- Periodicals; Historic sites -- Conservation and restoration -- Periodicals; Antiquities -- Collection and preservation -- Periodicals; 930.1028
• DOI: 10.1080/13505033.2020.1860323
• Languages: English
• ISSNs: 1350-5033

Abstract

ABSTRACT: Rock art is one of the most attractive heritage resources. Yet, some of these sites are either closed from the public or were never officially opened in the first place. Based on them being inaccessible to the public, various replicas have been built to allow tourists to still see their images. While these sites are inaccessible to the general public, they are not spared from natural and human induced damage. Informed by the three issues I discuss in this paper, namely: (1) the idea of selecting identified heritage resources as being important, (2) critiquing the concept of managing heritage resources for future generations, and (3) debating the question of who are we managing rock art for, I conclude that rock art should not be closed to the public. Such an approach promotes a view that such valuable spaces are preserved only for the privileged few.