Experiments in sandscaping: Liminal entanglements on the Norfolk and South Holland Coast. Issue 1 (1st August 2021)

• Record Type: Journal Article
• Authors: van der Voet, Rosanne
• Is Part Of: Book 2.0. Volume 11:Issue 1/2(2021)
• Page Start: 95
• Page End: 106
• Publication Date: 2021-08-01
• Subjects: Book industries and trade -- Technological innovations -- Periodicals; Publishers and publishing -- Periodicals; Book design -- Periodicals; Electronic publishing -- Periodicals; Books -- Periodicals; Periodicals; 070.5
• DOI: 10.1386/btwo_00046_1
• Languages: English
• ISSNs: 2042-8022

Abstract

This hybrid creative-critical article explores how new ways of living beyond the current environmental crisis are forged on two sandscaping schemes that have been constructed as new experimental measures against coastal erosion. The Zandmotor, created in 2011, is an artificial peninsula built out of sand on the coast of South Holland. The success of this project inspired a similar sandscaping scheme at Bacton on the coast of Norfolk, constructed in 2019. The strange liminal landscapes that are the result of these projects are not just symbols of adaptive, nature-based water management in times of rising sea levels, they also become time machines, making fossils of different times emerge out of the sand taken from the seabed of the North Sea. In addition, the sandscapes are symbols of the artificialization of the coastal landscape, given the fact that sand suppletions disrupt not only life on the beach, but also destroy much bottom-dwelling life on the seabed from which the sand is harvested. However, these unique liminal landscapes between land and sea also create new ecological opportunities. At the Zandmotor, for example, rare bristle worms and Baltic clams have made their unexpected appearance. Moreover, the sandscape invites people not just to look for fossilized mammoth teeth, but also inspires them to create sense-altering art projects specifically adapted to the unique conditions in the area. In this article, I trace these various significances of both sandscaping schemes and argue that they cannot be reduced to any of these different meanings. Instead, I describe the Zandmotor as an example of Donna Haraway's idea of 'staying with the trouble' (2016: 4) and Anna Lowenhaupt Tsing's concept of 'contaminated diversity' (2015: 30). For although enormous amounts of animal and plant life have been destroyed for the creation of the Zandmotor, this does not discredit the fact that this new liminal environment has opened up new ecological opportunities for multispecies flourishing, creating unexpected combinations of landscapes and creatures. These new combinations inspire a shift in thinking about coastal environments and present new ways of living that may emerge beyond the current environmental crisis.