Searching for Orgasms in the Dictionary: Language, Literature and Emotion in L'últim patriarca by Najat El Hachmi. (2nd November 2017)

• Record Type: Journal Article
• Authors: Crameri, Kathryn
• Is Part Of: Hispanic research journal. Volume 18:Number 6(2017)
• Page Start: 507
• Page End: 519
• Publication Date: 2017-11-02
• Subjects: Najat El Hachmi -- bilingualism and emotion -- literature and emotion -- Catalan literature; Najat El Hachmi -- bilingüismo y emoción -- literatura y emoción -- literatura catalana; Language and culture -- Spanish-speaking countries -- Periodicals; Language and culture -- Portuguese-speaking countries -- Periodicals; Spanish philology -- Periodicals; Portuguese philology -- Periodicals; Spain -- Civilization -- Periodicals; Portugal -- Civilization -- Periodicals; Latin America -- Civilization -- Periodicals; 909.097561
• DOI: 10.1080/14682737.2017.1391544
• Languages: English
• ISSNs: 1468-2737

Abstract

Abstract: L'últim patriarca by Najat El Hachmi (2008) has been critically acclaimed for its portrayal of the difficulties faced by a young Moroccan girl struggling to reconcile her past and present identities under the authoritarian yet unpredictable control of her father. This article focuses on the triangular relationship between language, literature, and emotion that underpins the protagonist's quest for independence, self-esteem, and emotional maturity. Drawing on research on bilingualism and emotion, literature and emotion, and emotions and moral judgement, the article examines how these interconnecting themes are explored in the novel and their importance for our understanding of the protagonist's journey towards personal autonomy. Two classic Catalan novels, Solitud by Victor Català and La plaça del Diamant by Mercè Rodoreda, provide the protagonist both with an insight into her own situation and a way to become the narrator of her own life story, thus (it appears) taking control of her own destiny. The article argues that this is only possible thanks to her ability to express her story in a new language, to rediscover the connection between bodily sensation and emotion, and to forge a new moral identity that is no longer conditioned by that of her hypocritical father.