Filmmaking as empirical research: working with people from refugee backgrounds to share stories about food. Issue 1 (1st January 2021)

• Record Type: Journal Article
• Authors: Hughes, Mandy
• Is Part Of: Visual studies. Volume 36:Issue 1(2021)
• Page Start: 11
• Page End: 24
• Publication Date: 2021-01-01
• Subjects: Visual perception -- Periodicals; Visual anthropology -- Periodicals; Visual sociology -- Periodicals; 301
• DOI: 10.1080/1472586X.2020.1827972
• Languages: English
• ISSNs: 1472-586X

Abstract

Abstract : This article is an examination of the potential of visual research methods used in a collaborative way with people from refugee backgrounds to share narratives of lived experiences in an ethical and reciprocal manner. The interdisciplinary study drawing on sociology and anthropology relies on community collaboration and ethnographic research methods to produce a documentary depicting the sociocultural role of food for Myanmar people with a refugee background, now residing in an Australian regional city. The creation of the documentary, The Last Refuge: Food Stories from Myanmar to Coffs Harbour, allowed these food stories to be shared in a multi-dimensional, textural way that depicted and engaged multiple senses associated with food interactions. Apart from its academic value, the documentary was also aimed at a wider audience through screenings at local, national and international film festivals. The use of collaborative research methods allowed the film to develop into something deeply connected to the participants. It became their film, their medium to tell their stories; as well as an opportunity to stand up in their new community and be proud of their culture. Reflecting on the filmmaking journey highlights the grounded nature of this research and the need to re-evaluate and be informed by participants. The author surveys the pre-production, production and output phases. The documentary, or 'end product', did not, however, signify the end of the journey. Understanding the film's impact on the participants, the filmmaker and audiences continue to extend the scope of the project.