Channelling the dead: A conversation on Desdemona with Tina Benko. (1st December 2020)

• Record Type: Journal Article
• Authors: Rapetti, Valentina
• Is Part Of: Journal of adaptation in film & performance. Volume 13:Number 3(2020)
• Page Start: 305
• Page End: 318
• Publication Date: 2020-12-01
• Subjects: Film adaptations -- History and criticism -- Periodicals; Motion pictures and literature -- Periodicals; 791.43605
• DOI: 10.1386/jafp_00033_7
• Languages: English
• ISSNs: 1753-6421

Abstract

Tina Benko is an American stage, screen and television actress who has steadily trodden the Broadway boards for twenty years while starring in films and TV series and teaching acting and movement in New York City. An intensely focused and versatile performer, Benko has played in a broad variety of genres, ranging from screwball and Shakespearean comedies to realistic Russian, Scandinavian and American plays. In this interview, she discusses the factors that attracted her to drama and theatre, her acting training and approach to character-building, and theatre as a space for healing and reconciliation as she experienced it while working in Desdemona (2012), a cross-cultural theatre adaptation of William Shakespeare's Othello staged by American theatre and opera director Peter Sellars, with texts by African American Nobel Laureate Toni Morrison, and music and lyrics by Malian singer-songwriter Rokia Traoré.