Singing back to the Bard: A conversation on Desdemona with Rokia Traoré. (1st December 2020)

• Record Type: Journal Article
• Authors: Rapetti, Valentina
• Is Part Of: Journal of adaptation in film & performance. Volume 13:Number 3(2020)
• Page Start: 337
• Page End: 344
• Publication Date: 2020-12-01
• Subjects: Film adaptations -- History and criticism -- Periodicals; Motion pictures and literature -- Periodicals; 791.43605
• DOI: 10.1386/jafp_00035_7
• Languages: English
• ISSNs: 1753-6421

Abstract

Rokia Traoré is a Malian singer, guitarist and composer, known worldwide for her artistic syncretism and political activism. Her distinctive style blends elements of traditional Malian music with blues, folk and rock to address contemporary geopolitical and humanitarian issues. She is the artistic director of Fondation Passerelle, a non-profit organization she founded in 2006 to support young African singers and musicians by offering them high-quality professional training and work opportunities in the music industry. In this interview, she discusses her experience as songwriter and performer in Desdemona (2012), a cross-cultural theatre adaptation of William Shakespeare's Othello staged by American director Peter Sellars, with texts by African American Nobel Laureate Toni Morrison, sharing some intimate memories and elaborating freely on the role of performers and the importance of focused listening in live stage productions.