Making worlds from literature: W.E.B. Du Bois's The Quest of the Silver Fleece and Dark Princess. (February 2021)

• Record Type: Journal Article
• Authors: Adamik, Verena
• Other Names: Wiemann Dirk guest-editor.; Mazumdar Shaswati guest-editor.; Raja Ira guest-editor.; Devadawson Christel guest-editor.; Qadeer Haris guest-editor.
• Is Part Of: Thesis eleven. Volume 162:Number 1(2021)
• Page Start: 105
• Page End: 120
• Publication Date: 2021-02
• Subjects: African American literature -- Eurocentrism -- genre -- intertextuality -- race; Social sciences -- Philosophy -- Periodicals; 301
• DOI: 10.1177/0725513621993308
• Languages: English
• ISSNs: 0725-5136

Abstract

While W.E.B. Du Bois's first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called 'classics' from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this 'world literature', the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.