Twofoldness in Moving Images: The Philosophy and Neuroscience of Filmic Experience. Issue 3 (1st December 2020)

• Record Type: Journal Article
• Authors: Fingerhut, Joerg
• Is Part Of: Projections. Volume 14:Issue 3(2020)
• Page Start: 1
• Page End: 20
• Publication Date: 2020-12-01
• Subjects: camera and lens movements -- editing -- filmic body -- neuroaesthetics -- neuromediality -- seeing-in -- twofoldness -- Wollheim; Filmwetenschap; 791.4301
• DOI: 10.3167/proj.2020.140302
• Languages: English
• ISSNs: 1934-9688

Abstract

Abstract: When watching a film, we are seeing-in moving images. Film's visual experience is therefore twofold, encompassing a recognitional (the scene presented, the story told, etc.) and a configurational fold (editing, camera movement, etc.). Although some researchers endorse twofoldness with respect to film, there is also significant resistance and misrepresentations of its very nature. This paper argues that the concept is central to an understanding of the basic apprehension and the aesthetic appreciation of film. It demonstrates how twofoldness could play a more substantial role in a new cognitive film theory and a naturalized aesthetics of film. By discussing recent theories of our motor engagement with cinema it shows how referencing to the interplay of two filmic folds could inform such a theory.