Pigments on Late Bronze Age painted Canaanite pottery at Tel Esur: New insights into Canaanite–Cypriot technological interaction. (April 2020)

• Record Type: Journal Article
• Authors: Shalvi, Golan; Shoval, Shlomo; Bar, Shay; Gilboa, Ayelet
• Is Part Of: Journal of archaeological science. Volume 30(2020)
• Publication Date: 2020-04
• Subjects: Black and red decorations -- Ceramic and pigment analyses -- Cypro-Canaanite liaisons -- Iron and manganese ores -- pXRF, LA-ICP-MS and EPMA -- Technology transfer -- Trade in pigments; Archaeology -- Periodicals; Archaeology -- Research -- Periodicals; 930.1
• DOI: 10.1016/j.jasrep.2020.102212
• Languages: English
• ISSNs: 2352-409X

Abstract

Highlights: Ceramics and pigments of LBA painted Canaanite pottery at Tel Esur were studied. Compositions, technologies, raw materials, origin and cultural aspects were explored. Petrographic analysis reveals production on the southern Levantine coastal plain. For black and red decorations, ferromanganese and ferric-iron pigments were utilized. The results suggest trade in pigments and Cypriot–Canaanite technological transfer. Abstract: The ceramics and pigments of Late Bronze Age (LBA) painted Canaanite pottery were studied using ceramic petrography and three microbeam methods: pXRF, LA-ICP-MS and EPMA. The analyses focused on specimens from Tel Esur in Israel's northeastern Sharon Plain, which has yielded a well-preserved assemblage of the 15th/14th centuries BCE. We studied painted jars, biconical jugs and a bowl decorated with black, red or two-colored geometric patterns. The petrographic analysis revealed that the majority of the painted vessels were produced on the southern Levantine coastal plain. The microbeam analyses demonstrated the use of ferromanganese and ferric-iron pigments for the black and the red decorations respectively. The adoption of the manganese-based technique in Canaanite workshops seems to be an early LBA technological progress, which facilitated the production of black decoration while firing vessels in an oxidizing atmosphere; it explains the sharp increase in the production of two-colored Canaanite pottery during that period. Ferromanganese ore sources for the black pigment are rare in Canaan and absent from its coast; this required importation of raw ore from external sources. The analogous use of the manganese-based technique for black decoration on Cypriot wares suggests that both pigments and technology were transferred from Cyprus to Canaan, highlighting a 'new' aspect in the multi-faceted Cypro-Canaanite liaisons of this period.