Different beasts? National and transnational lines in the German-Indian anthology The Elephant in the Room. Issue 1 (2nd January 2020)

• Record Type: Journal Article
• Authors: Ludewig, Julia
• Is Part Of: Journal of graphic novels & comics. Volume 11:Issue 1(2020)
• Page Start: 52
• Page End: 73
• Publication Date: 2020-01-02
• Subjects: women artists -- India -- Germany -- gender roles -- genre -- style; Graphic novels -- Periodicals; Comic books, strips, etc -- Periodicals; Popular culture -- Periodicals; Art, Modern -- 21st century -- Periodicals; Art, Modern; Comic books, strips, etc; Graphic novels; Popular culture; Comicroman; Comic; Periodicals; 741.5
• DOI: 10.1080/21504857.2019.1621915
• Languages: English
• ISSNs: 2150-4857

Abstract

ABSTRACT: This essay compares the contributions by eight Indian and eight German-speaking visual artists to the 2016 issue of the all-women magazine Spring, an issue in which they reflect on gender roles, the titular 'Elephant in the Room.' Searching for transnational and national trends, I zoom in on three larger aspects: themes, genre, and visual style. Transnationally shared themes concern motherhood and female beauty standards. However, while artists across national and cultural borders ruminate about voluntary non-motherhood and engage expectations of feminine attractiveness, they differ in the extent to which they describe actually lived motherhood. The issue also shows culturally-specific beauty ideals, such as the Indians' preoccupation with fair skin. In a similar way, artists from both continents use the genre of autobiography, but go to different depths with a notable 'Indian' preference to explore a grandmother's past. Visually, too, the artists show interesting commonalities such as the tendency to tell their stories in a traditional comics format, yet the surface aesthetics differ. Whereas the Indian artists tend to employ a polished, fine-arts style, several German-speaking artists relish expressive abstraction. I provide possible reasons for these differences and end with an appraisal of how women artists might try to access the comics scene in the future.