Performance without Barriers: Improvising with Inclusive and Accessible Digital Musical Instruments. Issue 5 (3rd September 2019)

• Record Type: Journal Article
• Authors: Samuels, Koichi; Schroeder, Franziska
• Is Part Of: Contemporary music review. Volume 38:Issue 5(2019)
• Page Start: 476
• Page End: 489
• Publication Date: 2019-09-03
• Subjects: Improvisation -- Inclusion -- Accessible Music Technology -- Digital Musical Instruments (DMI) -- Performance -- Music and Disability; Music -- 20th century -- Periodicals; 780.904
• DOI: 10.1080/07494467.2019.1684061
• Languages: English
• ISSNs: 0749-4467

Abstract

Abstract : The 'Performance without Barriers' research group (PwB), based at the Sonic Arts Research Centre at Queen's University Belfast has been exploring the potential of sonic arts practices and music improvisation for enhancing social inclusion. To date, the group has focused primarily on research activities related to the inclusive potential of providing access to music improvisation for people with physical disabilities via the use of digital technologies. In this paper we discuss the critical thinking behind our work which draws together the social and connective functions of music making, the open and relational practice of music improvisation, and technological solutions utilising open, adaptable and accessible digital technologies. Three case studies, taking place between 2015 and 2018, are discussed. In this article we argue that activities in music improvisation have inclusive potential for opening constructive dialogues between performers, their instruments, and people of different backgrounds and abilities. Furthermore, as we have approached our research activities reflexively, we ponder the contradictions, dilemmas and points of learning we have discovered when engaging in inclusive improvisation work between university researchers and musicians with diverse abilities.