Cite
HARVARD Citation
Geil, A. (n.d.). Between gesture and physiognomy: 'universal language' and the metaphysics of film form in Béla Balázs's Visible Man. Screen. pp. 512-522. [Online].
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Geil, A. (n.d.). Between gesture and physiognomy: 'universal language' and the metaphysics of film form in Béla Balázs's Visible Man. Screen. pp. 512-522. [Online].