Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television. (January 2020)

• Record Type: Journal Article
• Authors: Havas, Julia; Sulimma, Maria
• Is Part Of: Television & new media. Volume 21:Number 1(2020)
• Page Start: 75
• Page End: 94
• Publication Date: 2020-01
• Subjects: dramedy -- cringe -- "quality" TV -- body politics -- gender -- race -- female-centered television -- "Girls" -- "Fleabag" -- "Insecure"; Télévision -- Aspect social -- Périodiques; Télévision -- Aspect économique -- Périodiques; Médias -- Publics -- Périodiques; Civilisation -- Histoire -- Périodiques; Television broadcasting -- Social aspects -- Periodicals; Digital media -- Periodicals; 302.234505
• DOI: 10.1177/1527476418777838
• Languages: English
• ISSNs: 1527-4764

Abstract

Concentrating on the series "Girls" (2012–2017), "Fleabag" (2016), and "Insecure" (2016–), this article examines the female-centered dramedy as a current genre of U.S.-American television culture with specific investments in gendered value hierarchies. The article explores the format's dominant narrative and aesthetic practices with specific focus on prestige dramedy's "cringe" aesthetics. Cringe is increasingly mobilized as a mode of political expression following the format's privileging of female subjectivities. As such, cringe is tasked with negotiating the tensions between drama and comedy on one hand and intersectional relations of identity politics on the other. Character "complexity, " embedded in ideological themes around identity, modifies the "comedy" in cringe and becomes associated with the more prestigious dramatic mode, this way governing the texts' appeal to cultural value. The article demonstrates the ways the female-centered cringe dramedy expresses its politicization and "complexity" via disturbing gendered expectations of mediated femininity, and specifically body and sexuality politics.