Subversive song: Imagining Colossians 1:15–20 as a social protest hymn in the context of Roman empire. (November 2019)

• Record Type: Journal Article
• Authors: Medley, Mark S.
• Is Part Of: Review and expositor. Volume 116:Number 4(2019:Nov.)
• Page Start: 421
• Page End: 435
• Publication Date: 2019-11
• Subjects: Billie Holiday -- Christ -- empire -- hymns -- resistance -- songs; Baptists -- Periodicals; Theology -- Periodicals; 286
• DOI: 10.1177/0034637319878790
• Languages: English
• ISSNs: 0034-6373

Abstract

A connection exists between the Christological hymn of praise and protest in Col 1:15–20 and popular protest music. The connection is the lyrical ability to transform political and socio-cultural realities, as well as to empower and mobilize protest and resistance against imperial power and coercive structures of domination. A special focus is on Billie Holiday's song, "Strange Fruit, " a contemporary model of a protest song in comparison to Col 1:15–20. In the comparison, the Colossians hymn draws upon the political ideology and imagery of the Roman Empire in the form of a counter-discourse, as was Jewish resistance poetry, in ways analogous to how Holiday's "Strange Fruit" evokes the imagery of white racial terror for the sake of raising political consciousness.