Han Chinese racism and Malaysian contexts: cosmopolitan racial formations in Tan Twan Eng's The Garden of Evening Mists. Issue 2 (3rd April 2019)

• Record Type: Journal Article
• Authors: Lee, Fiona
• Is Part Of: Inter-Asia cultural studies. Volume 20:Issue 2(2019)
• Page Start: 220
• Page End: 237
• Publication Date: 2019-04-03
• Subjects: Chineseness -- cosmopolitanism -- Han Chinese racism -- Malaysian literature in English -- world literature -- global Anglophone novel; Culture -- Periodicals; Asia -- Civilization -- Periodicals; Asia -- Social life and customs -- Periodicals; Culture -- Périodiques; Asie -- Civilisation -- Périodiques; Asie -- Moeurs et coutumes -- Périodiques; 303.4095
• DOI: 10.1080/14649373.2019.1614348
• Languages: English
• ISSNs: 1464-9373

Abstract

ABSTRACT: This essay explores what it means to theorize Han racism in Malaysian contexts, where ethnic Chinese constitute a minority. Given the history of Malay political dominance and recent intensification of Malay-Muslim ethno-nationalism as part of a backlash against the historic change of government in 2018, theorizing Han racism might seem like a move to downplay these factors and minimize the various forms of racialized violence directed at Chinese identified bodies. To the contrary, I show that doing so involves tracking the transnational process of racial production, which requires understanding how racist and capitalist modes of hierarchy operate in tandem, and how racial discourses are used by the state to manage domestic political exigencies and global economic forces to facilitate ongoing capitalist accumulation. I then turn to consider the arena of world Anglophone literature, which has emerged as a transnational site for narrating Chinese Malaysian experiences, by considering an exemplary text, a 2012 novel by Tan Twan Eng, The Garden of Evening Mists . In examining the material and ideological conditions of the global literary marketplace in shaping the novel, I consider how the cosmopolitan nature of global Anglophone literary production can obscure the racial underpinnings of its cultural productions as in the case of Tan's novel.