Drawing as language: the systemic-functional semiotic argument. (3rd April 2019)

• Record Type: Journal Article
• Authors: Riley, Howard
• Is Part Of: Journal of visual art practice. Volume 18:Number 2(2019)
• Page Start: 132
• Page End: 144
• Publication Date: 2019-04-03
• Subjects: Drawing -- language -- semogenic -- systemic-functional semiotics -- visualcy; Aesthetics -- Periodicals; Art -- Philosophy -- Periodicals; Art -- Study and teaching -- Periodicals; 701
• DOI: 10.1080/14702029.2018.1537640
• Languages: English
• ISSNs: 1758-9185

Abstract

ABSTRACT: This article argues that drawing is a medium of visual communication, using any tool leaving a trace upon a surface, capable of referring to objects and events in the past, present and future, real and imaginary, functioning to modulate the viewer's attitude towards the subject-matter through the systematic selection and combination of visual elements according to cultural conventions which are subject to challenge, change and misunderstandings. In other words, I argue that drawing operates as language, defined in terms of systemic-functional semiotic theory. The theoretical basis is explained and discussed, with examples of the author's drawings demonstrating the theory as driver of creativity, facilitating the negotiation of meaning.