Bramante's coro finto, Ex-Votos, and Cult Practice in Sforza Milan. (7th March 2019)

• Record Type: Journal Article
• Authors: McCall, Timothy
• Is Part Of: Renaissance Quarterly. Volume 72:Number 1(2019)
• Page Start: 1
• Page End: 53
• Publication Date: 2019-03-07
• Subjects: European literature -- Renaissance, 1450-1600 -- Periodicals; Renaissance -- Periodicals; 809.31
• DOI: 10.1017/rqx.2018.5
• Languages: English
• ISSNs: 0034-4338

Abstract

Abstract : Bramante's illusionistic apse for Santa Maria presso San Satiro in Milan has long been understood as a triumph of Renaissance rationality. This essay shifts attention to the votive and cult contexts of the space and the miraculous image it enshrines. The coro finto efficaciously enhanced the authority of the Madonna and her sponsors—the Sforza dynasty and a confraternity dedicated to the Virgin—by dramatically framing and amplifying the image's potency. Santa Maria presso San Satiro thus flourished as one of Milan's most intensely contested ecclesiastical arenas, in which devotees and institutions maneuvered for access to the potent cult image.