'Gotta keep the customer satisfied': Puppeteers as director-surrogates in The Cabin in the Woods. Issue 1 (1st April 2015)

• Record Type: Journal Article
• Authors: Kooyman, Ben
• Is Part Of: Horror studies. Volume 6:Issue 1(2015)
• Page Start: 101
• Page End: 119
• Publication Date: 2015-04-01
• Subjects: Horror in mass media -- History and criticism -- Periodicals; Horror -- Periodicals; 700.4164
• DOI: 10.1386/host.6.1.101_1
• Languages: English
• ISSNs: 2040-3275

Abstract

The postmodern horror comedy The Cabin in the Woods by Goddard (2012) depicts the heavily engineered ritual sacrifice of a group of college students on a recreational getaway. The chief orchestrators of this sacrifice – dubbed 'puppeteers' by the film's protagonists – are Sitterson and Hadley, who in the film clearly inhabit the role of horror director-surrogates. While the parallels between their work and the film-making process have been widely noted, little has been said about what their on-screen representation actually has to say about horror film-makers. This ­article identifies four key premises on which the narrative hinges – that Sitterson and Hadley are journeyman directors rather than auteurs, that the directorial process is collaborative rather than auteur-centred, that horror directors must work with a prescribed number of finite formulas, and that their work is of considerable societal value – elucidating within The Cabin in the Woods a dialectical dialogue around the role, value and function of contemporary horror film authorship.