'This is our city': Realism and the sentimentality of place in David Simon's The Wire. Issue 3 (1st September 2015)

• Record Type: Journal Article
• Authors: Valdez, Jessica R.
• Is Part Of: European journal of American culture. Volume 34:Issue 3(2015)
• Page Start: 193
• Page End: 209
• Publication Date: 2015-09-01
• Subjects: Popular culture -- United States -- Periodicals; United States -- Social life and customs -- Periodicals; 306.097305
• DOI: 10.1386/ejac.34.3.193_1
• Languages: English
• ISSNs: 1758-9118

Abstract

Drawing upon theories of aesthetic realism, this article argues that The Wire develops a tension between the kind of representative typicality characteristic of realism and the exchangeability of labourers and goods in a capitalist system. By developing this tension, The Wire offers a nuanced critique of the ways in which capitalism renders individuals and geographical places as interchangeable placeholders, like pawns in a game of chess. The Wire's use of realism retains the individualism of person and place, even as these figures represent something more than themselves in the fictional space of the show. I conclude by arguing that The Wire's realism is mingled with an affective sentimentality associated with the idea of Baltimore.