Automation and design for prevention: Fictional accounts of misanthropic agency from the elevator (lift) to the sexbot (chatbot). Issue 1 (1st March 2014)

• Record Type: Journal Article
• Authors: Windle, Amanda
• Is Part Of: Technoetic arts. Volume 12:Issue 1(2014)
• Page Start: 91
• Page End: 106
• Publication Date: 2014-03-01
• Subjects: Interdisciplinary approach to knowledge -- Periodicals; Interdisciplinary research -- Periodicals; Consciousness -- Periodicals; High technology -- Social aspects -- Periodicals; 001
• DOI: 10.1386/tear.12.1.91_1
• Languages: English
• ISSNs: 1477-965X

Abstract

Fiction is an important tool in an artist/designer/developer's vocabulary, but its usage is polyvalent. Speculative research in this article introduces the 'rudiment' to embrace the undeveloped and the improvisory phases of research practice. Fiction is used to reflect on the ways practicing designers and developers might already engage in misanthropic thinking – involving automated technologies. Tracing the misanthropic agencies in relation to automated technologies contributes to expanding the ways designers and developers reflect on the technical potential of their designs, with whom they are designing (and for) and the way they understand their reflexive self. Bringing together Colson Whitehead's novel The Intuitionist (1999) and its account of an elevator crash, their design and maintenance, with a narrative account of software agents enables an investigation into the promises made through a design-for-the-prevention-of-failure imperative. These examples highlight the relation between physical and non-physical failures such as failures to connect or to create intimacy. Those who contribute to designing in this article get caught up in configuring misanthropic agencies involving themselves, the designed artefact and the spaces they both inhabit be that an elevator in a housing block, or a sexbot in an online chat room. I will argue that the misanthropic agencies of automated technologies can have a confining impact on our emergent modes of design. Automated software operating in virtual spaces are confining in as much as they attempt to connect things to exploit the de-personalized aspects of automated, misanthropic agency.