William Blake and British Surrealism: Humphrey Jennings, the Impact of Machines and the Case for Dada. Issue 3 (2nd September 2018)

• Record Type: Journal Article
• Authors: Hopkins, David
• Is Part Of: Visual culture in Britain. Volume 19:Issue 3(2018)
• Page Start: 305
• Page End: 320
• Publication Date: 2018-09-02
• Subjects: William Blake -- British surrealism -- Jacob Bronowski -- dada -- Industrial revolution -- Humphrey Jennings -- Herbert Read; Art -- Great Britain -- History -- Periodicals; Performing arts -- Great Britain -- History -- Periodicals; Art and society -- Great Britain -- Periodicals; Performing arts -- Social aspects -- Great Britain -- Periodicals; 700.94105
• DOI: 10.1080/14714787.2018.1522968
• Languages: English
• ISSNs: 1471-4787

Abstract

Abstract : This article addresses an issue that has eluded focused scholarship: the reception of William Blake within the British surrealist movement from the mid-1930s onwards. A significant difference can be seen between Blake as understood by the critic Herbert Read, and Blake as conceived by the surrealist writer and film maker Humphrey Jennings. These differences indicate that the internal dynamics of British surrealism might be re-considered. The assumption that surrealism in Britain bypassed the dada stage that it had undergone in France is challenged. Blake's understanding of the advent of the machine is seen as crucial for an understanding of a 'British' variant of both dada and surrealism.