Self-affirmation improves music performance among performers high on the impulsivity dimension of sensation seeking. (March 2018)

• Record Type: Journal Article
• Authors: Churchill, Susan; Jessop, Donna C.; Goodwin, Sophie; Ritchie, Laura; Harris, Peter R.
• Is Part Of: Psychology of music. Volume 46:Number 2(2018)
• Page Start: 292
• Page End: 302
• Publication Date: 2018-03
• Subjects: impulsivity -- music performance -- self-affirmation -- sensation seeking; Music -- Psychological aspects -- Periodicals; 781.11
• DOI: 10.1177/0305735617705007
• Languages: English
• ISSNs: 0305-7356

Abstract

In the light of evidence that self-affirmation can mitigate the negative effects of stress on outcomes, this study tested whether a self-affirmation manipulation could improve undergraduate students' achievement in a formal musical performance examination. The study also investigated the association between impulsivity and music performance and explored whether impulsivity moderated any impact of self-affirmation on exam performance. At baseline, participants provided demographic information and completed the UPPS-P Impulsive Behaviour Scale (short-form), which assesses five dimensions of impulsivity (negative and positive urgency, lack of premeditation, lack of perseverance, and sensation seeking). In the subsequent 14 days, participants ( n = 65) completed either a self-affirmation manipulation or a control task, before reading a message about the impact of practice on music performance. Music performance was formally assessed 14 days later. Sensation seeking was the only dimension of impulsivity associated with exam performance, with participants high in sensation seeking receiving lower grades. Critically, self-affirmation promoted better music performance among those high in sensation seeking. Self-affirmation may provide a useful intervention to augment the performance of musicians who would otherwise perform worse than their counterparts under formal evaluative circumstances, such as those high in sensation seeking.