"Certainly forbidden" subjects: Race, migration, and the vanishing points of post-imperial British security. (March 2017)

• Record Type: Journal Article
• Authors: Townsend, Sarah L.
• Is Part Of: Journal of Commonwealth literature. Volume 52:Number 1(2017)
• Page Start: 183
• Page End: 200
• Publication Date: 2017-03
• Subjects: Kazuo Ishiguro -- migration -- Muriel Spark -- race -- security; English literature -- Periodicals; Commonwealth literature (English) -- Periodicals; Littérature anglaise -- Périodiques; 820.05
• DOI: 10.1177/0021989415592661
• Languages: English
• ISSNs: 0021-9894

Abstract

This article examines the post-imperial migration and racial anxieties that underwrite fantasies of national security in postwar British fiction. Focusing on the autocratic educational institutions featured in Muriel Spark's The Prime of Miss Jean Brodie (1961) and Kazuo Ishiguro's Never Let Me Go (2005), the article identifies the school as a fraught ideological site wherein conceptions of national insularity collide with the complex pressures of British globalization. Spark's Marcia Blaine School and Ishiguro's Hailsham masquerade as microcosms of a homogeneous British nation only through a rigorous process of racial redaction. By adapting Joseph Slaughter's concept of the "vanishing point", the article traces two nonwhite immigrant characters whose brief, silent appearances unsettle the novels' optics of power, thereby intimating a vast history of racial violence disavowed in the name of bodily, cultural, and political security. Connecting the novels' vanishing acts to the discursive lacunae perpetuated in the war on terror, the article also considers the imperial residues that continue to shape the contemporary security state.