'Forward from Wigan Pier': Remaking Documentary Photography in the 1930s. Issue 2 (4th May 2018)

• Record Type: Journal Article
• Authors: Dell, Simon
• Is Part Of: Visual culture in Britain. Volume 19:Issue 2(2018)
• Page Start: 168
• Page End: 188
• Publication Date: 2018-05-04
• Subjects: documentary photography -- illustration -- The Road to Wigan Pier -- working class -- communism -- socialism -- Orwell -- George -- Gollancz -- Victor; Art -- Great Britain -- History -- Periodicals; Performing arts -- Great Britain -- History -- Periodicals; Art and society -- Great Britain -- Periodicals; Performing arts -- Social aspects -- Great Britain -- Periodicals; 700.94105
• DOI: 10.1080/14714787.2018.1466723
• Languages: English
• ISSNs: 1471-4787

Abstract

Abstract : This article reconsiders the status of documentary photography by shifting enquiry from the making of the exposure to the processes that make the results of that act public. Instead of granting that a photograph functions in a semantic field and asking 'How did this signify?', this article explores the question: 'How did this have the opportunity to signify?' This question is addressed by exploring the agency of editors and publishers in the rather fraught production of George Orwell's The Road to Wigan Pier, the first edition of which featured a suite of thirty-three photographs.