Sound and silence in Chinese women's mosques – identity, faith and equality. (1st May 2014)

• Record Type: Journal Article
• Authors: Jaschok, Maria
• Is Part Of: Performing Islam. Volume 3:Number 1/2(2014)
• Page Start: 61
• Page End: 84
• Publication Date: 2014-05-01
• Subjects: Performing arts -- Islamic countries -- Periodicals; Islamic countries -- Social life and customs -- Periodicals; 700.48297
• DOI: 10.1386/pi.3.1-2.61_1
• Languages: English
• ISSNs: 2043-1015

Abstract

The evolution from early beginnings of Muslim women's religious education in China, in the seventeenth century, when women were provided with rudimentary Islamic instruction, and taught from behind screens, to the emergence of more permanent women's mosques (qingzhen nüsi) in the course of the nineteenth century, constitutes the historical background to an exploration of the relationship among silence, speech, voice, gender and power. Starting as informal gatherings in ad hoc, transitional spaces, dynamic and complex institutional sites developed to serve multiple functions and purposes, giving in the course of time rise to richly expressive cultures of sentiment and sound, piety and fear. The article seeks to problematize the coming-to-voice of Chinese believing women within the interlinking frameworks of aural ethnography and cross-cultural feminist theory. Written and audio-visual materials provide the sensory text for the author's evocation of tangible surroundings, silenced and fleeting sensations, and for the historicizing of women's lives lived at the intersection of Islamic/Confucian moral codes of jie – as feminine purity enshrouded, segregated and silenced – and modern claims for voice and gender equality.