The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: the Technology and Provenance of the Enamels—an Analytical Approach. (26th May 2017)

• Record Type: Journal Article
• Authors: Verità, M.; Biron, I.; Cagnini, A.; Porcinai, S.; Barbe, F.
• Is Part Of: Archaeometry. Volume 60:Number 2(2018)
• Page Start: 233
• Page End: 254
• Publication Date: 2017-05-26
• Subjects: enamelled copper -- glass -- quantitative analysis -- provenance -- PIXE‐PIGE -- SEM‐EDS -- pXRF; Archaeometry -- Periodicals; Archaeology -- Expertising -- Periodicals; 930.1
• DOI: 10.1111/arcm.12312
• Languages: English
• ISSNs: 0003-813X

Abstract

Abstract : The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasive and non‐invasive techniques. A comparison of the results with Tuscan and Venetian glass databases reinforces the suggestion of a Tuscan (most probably Florentine) origin for these works of art.