THE RHETORIC OF VISIBILITY AND INVISIBILITY IN ANTIPHON 5, ON THE MURDER OF HERODES*. (1st June 2016)

• Record Type: Journal Article
• Authors: O'Connell, Peter A.
• Is Part Of: Classical quarterly. Volume 66:Number 1(2016:May)
• Page Start: 46
• Page End: 58
• Publication Date: 2016-06-01
• Subjects: Classical philology -- Periodicals; Classical literature -- Periodicals; 880
• DOI: 10.1017/S0009838816000343
• Languages: English
• ISSNs: 0009-8388

Abstract

Abstract : Alone among surviving Athenian homicide orations, Antiphon's On the Murder of Herodes resembles a modern murder mystery. Antiphon's client, a Mytilenean named Euxitheus, tells a story of a stormy night, an isolated harbour, a drunken murder victim, a missing corpse, misleading bloodstains, forged documents and hints of political intrigue. And, like in any good whodunnit, Euxitheus insists that no one knows who the killer is. Although all the clues seem to point to him, he maintains that Herodes' relatives have manipulated the evidence to make him seem guilty. We do not know whether Euxitheus succeeded in convincing his jurors, but the author of the Life of Antiphon attributed to Plutarch, who says that Antiphon was 'adept in situations with no way out' (ἐν τοῖς ἀπόροις τεχνικός), considers On the Murder of Herodes one of Antiphon's finest compositions (832E, 833D).