Taking Spectacle Seriously: Wildlife Film and the Legacy of Natural History Display. Issue 1 (27th March 2018)

• Record Type: Journal Article
• Authors: Louson, Eleanor
• Editors: Vidal, Fernando; Tabernero, Carlos
• Is Part Of: Science in context. Volume 31:Issue 1(2018)
• Page Start: 15
• Page End: 38
• Publication Date: 2018-03-27
• Subjects: Science -- Social aspects -- Periodicals; 306.4505
• DOI: 10.1017/S0269889718000030
• Languages: English
• ISSNs: 0269-8897

Abstract

Argument: I argue through an analysis of spectacle that the relationship between wildlife documentary films' entertainment and educational mandates is complex and co-constitutive. Accuracy-based criticism of wildlife films reveals assumptions of a deficit model of science communication and positions spectacle as an external commercial pressure influencing the genre. Using the Planet Earth (2006) series as a case study, I describe spectacle's prominence within the recent blue-chip renaissance in wildlife film, resulting from technological innovations and twenty-first-century consumer and broadcast market contexts. I connect spectacle in contemporary wildlife films to its relevant precursors within natural history, situating spectacle as a central feature of natural history display designed to inspire awe and wonder in audiences. I show that contemporary documentary spectacle is best understood as an opportunity for affective knowing rather than a constraint on accuracy; as a result, spectacle contributes to the virtuous inter-reinforcement of entertainment and education at work in blue-chip wildlife films.