False Color and Infrared Imaging for the Identification of Pigments in Paintings. Issue 1618 (2014)

• Record Type: Journal Article
• Authors: Aguilar-Téllez, Dulce María; Ruvalcaba-Sil, José Luis; Claes, Pieterjan; González-González, Diana
• Is Part Of: MRS proceedings. Issue 1618:(2014)
• Page Start: 3
• Page End: 15
• Publication Date: 2014
• Subjects: optical properties, -- layered, -- art; Electrical engineering -- Congresses; Physics -- Congresses; Materials -- Research -- Congresses; Materials science -- Congresses; 620.11
• DOI: 10.1557/opl.2014.451
• Languages: English
• ISSNs: 0272-9172

Abstract

ABSTRACT: In the study of cultural heritage, most of the analytical techniques are point-specific or give information about small areas of the object. Therefore it is essential to obtain an overview of which points are suitable for these further investigations. To fulfill this, a first imaging study is the best way to proceed. Hereby, we can record the entire piece at once and observe the behavior and relation between different materials of the object. Various types of light can be used to obtain a selection of images and consequently also different information about the artifacts. Among them, infrared (IR) photography can be used as a first analysis, for instance, to reveal the pigments' response upon interaction with IR radiation. In following we will present results obtained via IR video-photography on a selection of painted objects from the Mexican cultural heritage. These items are analyzed by False Color procedure, where colors are assigned to every grey tone of the pure IR photo. Hereby it is possible to distinguish between certain pigments on the painted surface.