Of the Earth: Heidegger's Philosophy and the Art of Andy Goldsworthy. Issue 2 (3rd July 2017)

• Record Type: Journal Article
• Authors: Keiling, Tobias
• Is Part Of: Journal of aesthetics and phenomenology. Volume 4:Issue 2(2017)
• Page Start: 125
• Page End: 138
• Publication Date: 2017-07-03
• Subjects: Heidegger -- art -- earth -- nature -- Goldsworthy -- Husserl -- Hegel -- C.F. Meyer; Phenomenology -- Periodicals; Phenomenology and art -- Periodicals; Aesthetics -- Periodicals; Electronic journals; Esthetica; Fenomenologie; Aesthetics; Electronic journals; Phenomenology; Phenomenology and art; Periodicals; 701.17
• DOI: 10.1080/20539320.2017.1396699
• Languages: English
• ISSNs: 2053-9320

Abstract

Abstract: One of the most prominent notions in Heidegger's thinking about art is that of the earth ( die Erde ). This paper probes the phenomenological potential of Heidegger's concept by turning to the work of contemporary British artist Andy Goldsworthy. Drawing from Heidegger's theoretical writings as well as his analysis of a poem by C.F. Meyer in "The Origin of the Work of Art" and his 1936–37 seminar on Schiller, I show that Goldsworthy's sculptural art exemplifies different phenomenal traits of the "earth." To supplement Heidegger's discussion, both Husserl's claim that the earth defines the "spatiality of nature" and the role of the earth in Hegel's philosophy of nature are taken into account.