African‐American and Mexican‐American protest songs in the 20th century: Some examples. Issue 2 (June 2017)

• Record Type: Journal Article
• Authors: Ibarraran‐Bigalondo, Amaia
• Is Part Of: Journal of popular music studies. Volume 29:Issue 2(2017)
• Page Start: n/a
• Page End: n/a
• Publication Date: 2017-06
• Subjects: Popular music -- History and criticism -- Periodicals; Popular music -- Periodicals; 781.6305
• DOI: 10.1111/jpms.12211
• Languages: English
• ISSNs: 1524-2226

Abstract

Abstract: The construction of the United States as a nation has always been linked to agriculture and the possession and exploitation of the land. The African slaves' work during the 17 th and 18 th centuries in the Southern territories and the efforts of Mexican braceros in the Southwest after the annexation of the Northern territories of Mexico are essential to understanding the history of agriculture in the United States. The exploitation of these workers has always been accounted for and justified in historical, literary, and journalistic texts. This essay begins with the premise that popular songs produced by African‐Americans and Mexicans offer an important corrective to biased "official" texts, providing key historical and sociocultural information, without the distortions arising from the need to justify the subjugation of a people in the name of economy and patriotism. The article aims to understand the relevance of popular song for the denunciation of the difficult working conditions in agricultural fields, as they were experienced from the colonial era through the 20 th century, and how field worker organizations of the 20 th century—especially the Southern Tenant Farmers Union and the United Farm Workers—used popular songs to demand better working and living conditions and rights for the African and Mexican workers and to encourage workers to unionize and defend their demands.