"I have always been so afraid": Fearsome Encounters in Unni Lindell's Rødhette. Issue 1 (2nd January 2017)

• Record Type: Journal Article
• Authors: Mäntymäki, Tiina Helen
• Is Part Of: NORA. Volume 25:Issue 1(2017)
• Page Start: 32
• Page End: 47
• Publication Date: 2017-01-02
• Subjects: Crime narrative -- violence -- female murderer -- fear -- encounter -- emotion; Women's studies -- Periodicals; Feminism -- Periodicals; 305.4
• DOI: 10.1080/08038740.2017.1310133
• Languages: English
• ISSNs: 0803-8740

Abstract

Abstract: Norwegian crime writer Unni Lindell's novel Rødhette [ Red Riding Hood ] (Oslo: Aschehoug & Co, 2004/2010) is a narrative about a woman whose feeling of safety transforms into a fear of violation, and how her defence against this fear takes the form of systematic violence. The novel is a rewriting of the traditional tale of "Little Red Riding Hood" and is a comment on the patriarchal premises of the most widely known version of this folktale. In the article, I discuss the representation of the female murderer as being in the grip of an affective economy based on the fear of male violence, represented in the novel by the metaphor of the "wolf", and how fear grows into a comprehensive, moral and pragmatic, murderous orientation towards the world after an experience of violence. Theoretically, I draw on affect theory and particularly Sara Ahmed's ideas about the affective politics of fear ( The cultural politics of emotion. Edinburgh: Edinburgh University Press, 2014) and how this fear turns into a significant qualifier in encounters with people who are experienced as strangers ( Strange encounters: Embodied others in post-coloniality. London: Routledge, 2000). Fear is treated in Lindell's novel as a psychological constriction and a tool for the construction of agency, through which the mechanisms of othering and violence are explored.