Musical rhythm and pitch: A differential effect on auditory dynamics as revealed by the N1/MMN/P3a complex. (June 2017)

• Record Type: Journal Article
• Authors: Lelo-de-Larrea-Mancera, E. Sebastian; Rodríguez-Agudelo, Yaneth; Solís-Vivanco, Rodolfo
• Is Part Of: Neuropsychologia. Volume 100(2017)
• Page Start: 44
• Page End: 50
• Publication Date: 2017-06
• Subjects: ERPs Event Related Potentials -- MMN Mismatch Negativity -- C Monotone-control condition -- P Pitch experimental condition -- R+P Rhythm and pitch experimental condition -- R Rhythm experimental condition -- N1e N1 enhancement -- SD Standard Deviation -- SOA Stimulus Onset Asynchrony; N1 -- MMN -- P3a -- Music -- Pitch -- Rhythm; Neuropsychology -- Periodicals; Neurology -- Periodicals; Psychophysiology -- Periodicals; Neuropsychologie -- Périodiques; Neuropsychology; Periodicals; Electronic journals; 616.8
• DOI: 10.1016/j.neuropsychologia.2017.04.001
• Languages: English
• ISSNs: 0028-3932

Abstract

Abstract: Music represents a complex form of human cognition. To what extent our auditory system is attuned to music is yet to be clearly understood. Our principal aim was to determine whether the neurophysiological operations underlying pre-attentive auditory change detection (N1 enhancement (N1e)/Mismatch Negativity (MMN)) and the subsequent involuntary attentional reallocation (P3a) towards infrequent sound omissions, are influenced by differences in musical content. Specifically, we intended to explore any interaction effects that rhythmic and pitch dimensions of musical organization may have over these processes. Results showed that both the N1e and MMN amplitudes were differentially influenced by rhythm and pitch dimensions. MMN latencies were shorter for musical structures containing both features. This suggests some neurocognitive independence between pitch and rhythm domains, but also calls for further address on possible interactions between both of them at the level of early, automatic auditory detection. Furthermore, results demonstrate that the N1e reflects basic sensory memory processes. Lastly, we show that the involuntary switch of attention associated with the P3a reflects a general-purpose mechanism not modulated by musical features. Altogether, the N1e/MMN/P3a complex elicited by infrequent sound omissions revealed evidence of musical influence over early stages of auditory perception. Highlights: N1 enhancement and MMN are influenced by pitch and rhythm musical structures. The N1 enhancement reflects a basic sensory memory process. MMN shows independent but cooperative modules for pitch and rhythm dimensions. Involuntary switch of attention associated with P3a reflects no musical modulation.