Unveiling the Use of Creta in Roman Plasters: Analysis of Clay Wall Paintings From Brixia (Italy). (12th July 2016)

• Record Type: Journal Article
• Authors: Bugini, R.; Corti, C.; Folli, L.; Rampazzi, L.
• Is Part Of: Archaeometry. Volume 59:Number 1(2017)
• Page Start: 84
• Page End: 95
• Publication Date: 2016-07-12
• Subjects: clay plaster -- Roman painting -- optical microscopy -- XRD -- FT–IR; Archaeometry -- Periodicals; Archaeology -- Expertising -- Periodicals; 930.1
• DOI: 10.1111/arcm.12254
• Languages: English
• ISSNs: 0003-813X

Abstract

Abstract : The paper describes the analysis of a particular kind of plaster from the walls of the Roman Sanctuary (first half of the first centurybce ) in the centre of Brixia (now Brescia, Italy), which is an outstanding example of Roman Republican architecture. The walls were plastered and painted with different patterns, imitating marble panels and curtains. Optical microscopy on thin sections, X‐ray diffraction and infrared spectroscopy were performed on several samples of the plaster in order to reveal the execution technique. The palette consisted of glauconite, celadonite, Egyptian blue, and red and yellow ochres. In some cases, an organic compound, possibly a lipidic compound, was present in the external paint layer, as a surface treatment. The plaster contains two superimposed coats: the render coat with lime binder and sandy aggregate; the finish coat with a clay fraction (illite, chlorite, kaolinite), together with calcite from slaked lime and grains of quartz, silicate and carbonate rocks. Although Vitrivius' De architectura reported the use of creta (clay) as daub smeared on reed vaults, the Sanctuary of Brixia represents the first documented use in Roman buildings in a painted plaster laid on a stone masonry wall.