'Between my Brow and the Stars ...': Linkages Between the Categories of Subject, Space, and Time in Jan Zahradníček's Verse of the Second Half of the 1930s. (2nd January 2016)

• Record Type: Journal Article
• Authors: Wiendl, Jan
• Is Part Of: Central Europe. Volume 14:Number 1(2016:May)
• Page Start: 49
• Page End: 57
• Publication Date: 2016-01-02
• Subjects: 1930s Czech verse -- heterotopia -- Jan Zahradníček -- confession -- nation -- space -- temporality -- creative subject; Politics and culture -- Europe, Eastern -- Periodicals; Europe, Eastern -- Politics and government -- Periodicals; Europe, Eastern -- History -- Periodicals; Europe, Eastern -- Languages -- Periodicals; Europe, Eastern -- Civilization -- Periodicals; 943.0005
• DOI: 10.1080/14790963.2016.1246880
• Languages: English
• ISSNs: 1479-0963

Abstract

Abstract : The study enquires how the functional relationship between the broader framework of Czech poet Jan Zahradníček's vision of the world and the narrower, governing principle shaped by his declared adoption of a fixed, ideologically unambiguous (confessional) model for viewing life and the world is realized. The present author's deliberation is based on an analysis of the categories of lyrical subject, space and time as rendered artistically in two collections of verse by Jan Zahradníček: Žíznivé léto (Thirsty Summer, 1935) and Pozdravení slunci (A Salute to the Sun, 1937). It is found that, rather than speaking of the mutually contingent effect of these two planes of reality, it would be better to think in terms of a colliding of fragments, each of which represents a part of its own reality — poetic truth and truth sprung from an ideology. The literary text becomes a specific locus that makes this intersection possible, and it expresses an entirely new form of reality. Motivated on the one hand by the experience of creative freedom and on the other by having voluntarily accepted certain external ideological considerations which perforce refine poetic freedom, or poetic output, with regard to the appreciation of its meaning, thereby giving it added force and depth, the poet fashions — with various degrees of success — the sundry fragments of this and that layer of reality into a two-way correlation that is reinforced by the dominant effect of the aesthetic function. He thus creates a specific, imaginary whole that opens man up to the world and adumbrates for the reader the idea of unity in diversity. However, at the same time he does not veil the sense of disillusionment that lies at the root of all modern poetry, arising from the notion that neither life, nor the world can be integrated into some ideal, harmonious form.