'Me juzgo por natural de Madrid': Vincencio Carducho, Theorist and Painter of Spain's Court Capital. Issue 7 (13th September 2016)

• Record Type: Journal Article
• Authors: Bass, Laura R.; Andrews, Jean
• Is Part Of: Bulletin of Spanish studies. Volume 93:Issue 7/8(2016)
• Page Start: 1301
• Page End: 1337
• Publication Date: 2016-09-13
• Subjects: Vicente Carducho -- patria, naturaleza -- academy -- culture -- Madrid -- devotional -- Juan de Ribera -- Crucifixion -- Counter-Reformation -- painting; Spanish philology -- Periodicals; Portuguese philology -- Periodicals; Spanish literature -- Periodicals; Portuguese literature -- Periodicals; Spain -- Civilization -- Periodicals; Latin America -- Civilization -- Periodicals; Portugal -- Civilization -- Periodicals; 860.5
• DOI: 10.1080/14753820.2016.1227040
• Languages: English
• ISSNs: 1475-3820

Abstract

Abstract: More than a guide for painters, Vicente de Carducho's Diálogos de la pintura has long been recognized to promote painting as a liberal art and to advocate for the creation of an academy of painting in seventeenth-century Madrid. But questions of patriotic belonging and prestige are also at stake in this erudite treatise. In his prologue, Carducho prioritizes his allegiance to his adopted city even while acknowledging his debts to his native Florence. The first part of this article argues that the treatise serves to showcase that allegiance as it participates in a project to make the young political capital a great cultural centre. The second part makes the case for Carducho as a practitioner who understood the debt he owed to the visual culture of his adopted homeland while remaining true to the aesthetic principles of his Florentine training. His late depictions of saints in adoration of the crucifix provide a focus for examining a religious sensibility subtly informed by Spanish devotional literature.